After sponsoring the restoration of the 18th century collection at the Calouste Gulbenkian Foundation as part of his cruise show in Lisbon last summer, Griffiths started pondering the relevance of the era through a present-day lens. “Was it dry, dusty and distant? Or was it a dress rehearsal for the times we’re living in now?” He delved into the writings of Émilie du Châtelet, a progressive noblewoman who immersed herself in the time’s fashion for natural philosophy. “I discovered in her a starting point for a collection which, from a costume history point of view, was about designing something that maybe she would like to have worn then. But, at the end of the telescope, is something you’d like to wear now,” he explained.