What Is SZA’s 2026 Met Gala Gown Made Of?

“Everybody loves the sunshine,” Roy Ayers once sang, and so it follows that SZA’s arrival on the Met Gala red carpet—in a glowing yellow dress by Bode in shades of ochre, marigold, corn, and golden flax— will no doubt spark joy. It’s a color associated with energy, sunshine, and happiness, after all. “We worked with a vintage dealer who sourced over a hundred yards of yellow fabrics for us in various materials—tulle, taffeta, silk faille, and beadwork on lace,” said Emily Adams Bode Aujla, who teamed up with Vogue and eBay to create a look entirely sourced from the treasures to be found on the online marketplace.

Woman in an 18th-century green gown playing a lute, with a floral bonnet and a red ribbon tied to the instrument.

A Wiener Werkstätte postcard by Urban Janke, 1908. Photo: Sepia Times / Getty Images

SZA’s look for this year’s Met Gala is both tied to her own whimsical personal narrative and has an art-based historical significance.”
Emily Adams Bode Aujla

Combining SZA’s wish for “a feeling of regality,” with her the arty Met theme, the designer landed on the Wiener Werkstätte, (Vienna Workshop), the highly influential pre-war design collective focused on craftsmanship and natural themes, as inspiration. (Fun fact: Couturier Paul Poiret was inspired to start his own arts school by the Wiener Werkstätte.) Turning to the Met as a resource, Bode researched Viennese fashion plates as well as those from the 18th-century. These account for the beautiful fullness of the two-tiered flounced skirt and the basque-shaped corset.

Bode was charmed to learn that the Viennese artists filled the studio each day with fresh flowers. This, she felt, “aligned with SZA’s spontaneity and love of the natural world. Her affinity for moths, butterflies, and other insects, alongside her world travels and [interest in ] specific deities, played a significant role in shaping the final look.” To wit: The beaded panels take the form of butterfly wings. The embroidery is done with gold and silver beads and sequins, with pendant strings of faceted crystal beads and cowrie shells adding a romantic, swaying movement.

Woman posing on a red carpet in a bright pink ball gown with an oversized black hat and long black gloves, smiling for photographers.

2022: In Vivienne Westwood for “In America: An Anthology of Fashion.” Photo: Kevin Mazur / MG22 / Getty Images

Woman wearing a pale pink, beaded ball gown with a voluminous tulle skirt poses on a red carpet as photographers crowd around in the background, wearing a starburst halo headpiece.

2018: In Atelier Versace for “Heavenly Bodies: Fashion and the Catholic Imagination.” Photo: Angela Weiss / Getty Images

Not only does the color of her custom Bode mark a change from the blush pink Atelier Versace and fuchsia Vivienne Westwood SZA wore previously to the Met, but there is no slit for a leg-out stance. Bode Aujla has instead focused on a train, attached high on the back of the corset in the manner of an 18th-century robe française. “SZA recently travelled to India and loves to support craft practices from all over the world,,” the designer explained, “so one of the things I laid out during the process was floral appliqués cut from remnants of saris. These remnants melded well with antique rhinestones and cabochons from Europe, quartz beads from New York, and hand-painted silk wings from my studio.” The train features two “wings” that have tassels that cascade from flowers at the top center back. French burlesque costumes are a constant source of inspiration to Bode, and tucked into the décolletage are flowers in soft orange and pink tones. This Vogue x eBay x Bode x SZA gown is a wonderful blend of show girl pizazz and romanticism.

This article was originally published on Vogue.com.