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In Patagonia, Nous Etudions Explores Biomaterials in Their Designs

An oversized parka in Celium’s natural ivory state. The biomaterial’s foamed textile surface forms a sculptural silhouette, its volume referencing the soft, enveloping forms of Patagonian seaweed. The piece is secured through hand-tied knots and cords made from the same material, paired with matching Celium gloves. Photographed by Agustín M. Gómez

In Ushuaia, Patagonia, a gateway to Antarctica, Romina Cardillo of Nous Etudions explores biomaterial design.

At the southern edge of Patagonia, in the port city of Ushuaia, designer Romina Cardillo of Nous Etudions explores the relationship between fashion, material innovation, and the natural world. Developed with Mexican biotechnology company Polybion, the End of the World, Beginning of Everything collection is centered on Celium, a biomaterial cultivated from bacterial cellulose through fermentation.

Nous Etudions Celium Biomaterials
A translucent Celium shirt and structured shorts. The semi-transparent material allows light to pass through, creating a delicate, ethereal effect reminiscent of marine membranes and seaweed. Photographed by Agustín M. Gómez

Cardillo explains that this collaboration began as a shared interest “in exploring biomaterials through the intersection of science and design.” Over six months, the teams experimented with different material densities, testing how the biomaterial could behave in garments and objects while balancing technical research with creative exploration.

A tailored overcoat and trousers in pink-dyed Celium, composed of laser-cut elements hand-stitched into a tridimensional surface that reference organic marine forms. Photographed by Agustín M. Gómez
A shirt made from Celium in its translucent state. Photographed by Agustín M. Gómez

As it is set in the remote landscapes of Patagonia, this project unfolds as a dialogue between various living matters. “The intention was to create a moment of contemplation, where material, territory, and the human presence coexist and invite us to rethink the relationship between design, nature, and innovation,” she reveals.

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For Cardillo, biomaterials also point to a broader shift in fashion. Rather than excess, they suggest a new definition of luxury rooted in process and responsibility, encouraging what she calls “a more conscious relationship with ecosystems.” 

A long bright yellow coat with hand-pleated hood detailing creates a soft undulating surface, inspired by the movement of seaweed in water. Accessories and bags assembled through knot constructions highlight the handcrafted process. Photographed by Agustín M. Gómez


Vogue Philippines: April 2026

₱595.00

By NEIL DE GUZMAN. Photographs by AGUSTÍN GÓMEZ. Creative Direction: Romina Cardillo & Paulo F. Cueto. Produced & Organized by: Guillermo Azar. Production: Marina Levi, Michelle Re, Cristian Navarro, Damián Ancherama. Art Direction: Damián Ancherama. Styling & Casting: Martín Boerr. Makeup: Lau Panighetti Hair: Niche, Aby Fumo, Galo Sapaia. AI Imagery: Paulo F. Cueto & neu.images. Production & Welcome in Ushuaia: Tourism Board of Tierra del Fuego & INFUETUR. Travel Partner: Flybondi. Location: Río Lapataia, Tierra del Fuego National Park — Ushuaia, Argentina. Supported by: BA Creativa. Press: Grupo Mass. Special thanks: Viviana Inés and Martín Bianchi

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