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Everything That Happened at Vogue Philippines’ Special Screening of The Devil Wears Prada 2

Pia Jauncey photographed by Sarah El-Ali.

For three days, creatives, tastemakers, and actors gather for an evening celebrating the film and reflecting on a fashion and publishing landscape that still hits a little too close to home.

Since its 2006 premiere, The Devil Wears Prada has spawned memes and vocal stims from its many quotable scenes, lines that people instinctively slip into (“Is there a reason why my coffee isn’t here? Has she died or something?”). Even KT Tunstall’s “Suddenly I See” became a soundtrack to daily GRWM moments. Two decades later, Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci return to their roles, now set in a digital era where it operates in a “same but different” energy: fast-moving, self-referential, and constantly being reinterpreted.

Throughout its three-day special screening of The Devil Wears Prada 2, Vogue Philippines plays a bit of reality versus fiction, where fashion, media, and culture insiders gather to see just how much of the film still felt a little too real.

Designers Vania Romoff, Sassa Jimenez, alongside Vogue Philippines editor-in-chief Bea Valdes, and Marga Valdes-Trinidad arrive at SM Aura Premiere in a Range Rover SWB SV and Sport SE.

On the red carpet, guests including Jon Santos, Jaggy Glarino, Ivarluski Aseron, Vogue Philippines May 2026 cover star Maria Isabel Galeria, and Artu and Meg Nepomuceno move through a photo experience anchored by the ‘VOGUE’ letterhead and a photowall featuring partners such as Johnnie Walker, Evian, Huawei, Jewelmer, Lucerne, GAOC, Nustar Resort Cebu, and SM Cinema.

Vogue Philippines April 2026 cover star Maria Isabel Galeria at the special block screening of The Devil Wears Prada 2 hosted by Vogue Philippines
Maria Isabel Galeria photographed by Lara Castañeda.
Vania Romoff photographed by Sarah El-Ali.
Woman with short gray hair and sunglasses exiting a dark SUV, holding a patterned accessory, with another passenger in the back seat and a Vogue watermark.
Vogue Philippines Editor-in-Chief  Photographed by Sarah El-Ali.

Inside the Directors Club Cinema, cocktails crafted by Johnnie Walker Black Ruby take cues from the first film. Its menu includes The Strawberry Stride, a hibiscus cherry-tea infused drink, and The Devil Keeps Walking, a smoky blend of Rosso Vermouth, Italian red bitter, Crème de Mure. A third, called Black Label. No Notes is concocted with Johnnie Walker Black, lemon juice, and egg white.

For food, Margarita Signature Caterer serves Filipino-inspired canapés, including black squid ink gnocco squares, barquillos cylinders, kesong puti mousse, and ilonggo chorizo, and mini piyayas with pâté di fegato. Nearby, guests step into an elevator-inspired photobooth by Photobooth by DJCoki, a cheeky nod to one of the film’s most memorable settings (or arguably Miranda Priestly’s most reliable co-star).

By early evening, guests settled in their respective cinemas, previewing teaser reels from Seiko, Casio, Jaguar Range Rover, Ford, and Lexus.

Large screen showing a blue Casio G-Shock watch at a Vogue event, with people mingling on a dark stage in the foreground.
Photographed by Sarah El-Ali.
Photographed by Kieran Punay.
Photographed by Kieran Punay.

The second day follows a similar rhythm, with arrivals once again becoming part of the experience. Shaira Luna and designers Kelvin Morales, Anton and Daniela Medalla arrive via Ford with the Mustang Mach-e and Territory Hybrid, while Vogue Philippines beauty editor Joyce Oreña and DJ Christi McGarry are driven in the Lexus RX F Sport and NX Premier.

Inside, the Directors Club transforms with the Cream Silk Lounge, a reimagining of Runway in a pink palette. Pia Wurtzbach-Jauncey and Chelsea Manalo make appearances within the space with Vogue Philippines beauty editor Joyce Orena and Vogue Philippines art director Jann Pascua.

Three people posing at a Vogue event, woman in red dress center flanked by a woman in a red tweed jacket and a man in glasses on the left, backdrop reads Vogue logo (tilted).
From left to right, Vogue Philippines Art Director Jann Pascua, Chelsea Manalo, Vogue Philippines beauty editor Joyce Orena photographed by Lorenzo Corro.
Smiling woman in a red and black floral gown posing beside a blue car on a city street.
Shaira Luna photographed by Lorenzo Corro.
Model steps out of a white luxury SUV wearing a dark jacket, black top, white pants, and sunglasses against an urban backdrop; Vogue watermark visible.
Anton Medalla photographed by Lorenzo Corro.

By the third day, the format moves to the Directors Club at SM Podium. Miss Universe Philippines 2026 Bea Millan-Windorski, Olympic gold medalist Carlos Yulo, photographers Archie Geotina and Gab Villareal, and musician Ena Mori were in attendance, bringing together personalities that extend beyond fashion into sport, art, and music. 

For refreshments and light bites, Lazy Suzy serves modern East Asian fare with drinks such as Gochu Gang and Kabukicho High, alongside dishes like tuna kropek, mushroom aji tostada, and whipped tofu focaccia.

Miss Universe Philippines 2026 Bea Milan-Windorski at the special block screening of The Devil Wears Prada 2 hosted by Vogue Philippines
Miss Universe Philippines 2026 Bea Milan-Windorski photographed by Sarah El-Ali.
Photographed by Sarah El-Ali.

The special screening of The Devil Wears Prada 2 unfolds as more than a premiere; it mirrors the fashion and publishing industry that is in constant negotiation between image and reality, aspiration and cost. As Miranda Priestly puts it in the film, “Just put it all in there. Because people should know. They should know there’s a cost. But boy, I love working. I really do. Don’t you?”

Frequently Asked Questions

Released in 2026, The Devil Wears Prada 2 is the sequel to the 2006 cult classic. It follows Andy Sachs as she returns to Runway magazine to help Miranda Priestly navigate a modern, evolving media landscape and corporate threats.

Vogue Philippines hosted an exclusive private screening of the film on April 29, 2026, at the Director’s Club in SM Aura Premier, Manila.

Attendees embraced a mix of “office siren” power dressing, including tailored blazers and matching sets, as well as high-shine metallic fabrics and relaxed, editorial-inspired silhouettes.

The event featured a modern take on 2000s beauty, favoring dewy, luminous skin, softly defined eyes with smudged liner, and monochromatic, airbrushed-style blush rather than the heavy, intense makeup popular in the original film’s era.

No, it served as an immersive experience for Manila’s creative community. The event included installations like a recreation of Miranda Priestly’s desk, a film-inspired elevator photo booth, and a curated atmosphere reflecting the Vogue aesthetic.

The Vogue Team

Editor
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